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Along the way she has brought in a variety of collaborators from Breeders past and present (Mando Lopez, twin sister Kelley Deal, Jim Macpherson, Britt Walford), to Raymond McGinley (Teenage Fanclub), Jack Lawrence (Raconteurs) and Savages’ Fay Milton and Ayse Hassan. Nobody Loves You More was mixed by Marta Salogni and mastered by Heba Kadry.\u003cbr\u003e \u003cbr\u003eEvery song has a story behind it, from the winter vacations with her parents in Florida Keys (‘Summerland’), wedding band covers of ‘Margaritaville’ (‘Coast’) to her mother’s dementia (‘Are You Mine?’). 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This cascade of gleaming, glistening psych-jazz-folk-baroque-ambient quest that searches its soul but can never truly know the answer? A sound and vision linked to their exalted past whilst quite unlike anything they have created before? The answer is somewhere between the homes of founder members Jonathan Donahue (the hamlet of Mt Tremper) and Grasshopper (the town of Kingston), in their veins and brains of their now-legendary tapping of musical cosmology, and the vital presence of new permanent member Marion Genser (keys), plus long-term ally Jesse Chandler (keys) and guests Jeff Lipstein (drums), Martin Keith (double bass) and Jim Burgess (trumpet).\u003c\/p\u003e\n\u003cp\u003eA place that feeds off the levitating mood of their last album, 2019's expansive tribute Bobbie Gentry's The Delta Sweete Revisited, and the instrumental psych explorations under the names of Harmony Rockets and Mercury Rev's Clear Light Ensemble, and the spiritual guidance of avant-garde artist Tony Conrad and Beat poet Robert Creeley, to whom Born Horses is dedicated. 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Members Michael “Mig” Zamora \u0026amp; Alejandra Alcala (Blues Lawyer) joined soon after to augment the sound \u0026amp; live band with their proper full-length album “Do The Duvet”, co-released in September of 2020 via UK label Upset! The Rhythm \u0026amp; Trouble In Mind. 2024 finds the lineup expanded even further to incorporate the horn section of Geoff Saba \u0026amp; Jeanne Oss on tenor \u0026amp; alto saxophones as well as percussion \u0026amp; marimba as the band readies their sophomore effort, the dizzyingly ecstatic ”Pass The Loofah”.\u003c\/p\u003e\n\u003cp\u003eRecorded by members Andy Jordan \u0026amp; Mig Zamora from 2021-2023 as time \u0026amp; restrictions allowed, “Pass The Loofah” retains the wild energy of their debut, but leans into the rhythmic throbs perpetuated by forbears like Kid Creole \u0026amp; The Coconuts, Lizzy Mercier Descloux \u0026amp; ESG; the signature sound of UK’s On-U Sound \u0026amp; NYC’s 99 Records, but with a decidedly West Coast irreverence \u0026amp; a knack for absurdist exposition. Make no mistake, this is music designed to make your body MOVE \u0026amp; Naked Roommate won’t stop until they ’ve made sure every ass is shook. The band freely incorporates elements of the dancier side of post-punk (think A Certain Ratio or Liquid Liquid) as well as disco, funk, \u0026amp; house music. However, the group’s uplifting melodicism belies a deeper subtext, understanding the importance of the sense of community of dance music \u0026amp; the culture surrounding it and leaning into a Neo-socialist lyrical context. Shit is fucked, \u0026amp; we get thru it by helping one another \u0026amp; acknowledging \u0026amp; addressing the failures of disaster Capitalism \u0026amp; tech-bro hegemony (a state the band is all-too familiar with, living in The Bay Area) Take the first single “Bus”; a four-on-the-floor banger \u0026amp; salutary paeon to the ups \u0026amp; downs of the people’s transport that throbs \u0026amp; pulses with a late-night sashay (and a bridge that launches the tune into the stratosphere).\u003c\/p\u003e\n\u003cp\u003eElsewhere, “Fight Flight ”s funky horn stabs and Sermeno’s slinky vocals swoon over Numan-esque synth squiggles that are fortified \u0026amp; funkified toward the dance floor. “Broken Whisper ” edges into new territor y for the group, adding a Caribbean flavor a’la Kid Creole or The Specials that punctuates the persistent \u0026amp; synthetic beats underneath. 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These demos\u003cbr\u003eand unreleased songs from ‘Ganglion Reef’ are the\u003cbr\u003eearliest Wand recordings that we know of, preceding\u003cbr\u003eeverything that’s come so far. It’s not simply a function\u003cbr\u003eof time and nostalgia at this late moment that they\u003cbr\u003esound invariably like magical recordings by, and for,\u003cbr\u003echildren.\u003cbr\u003eFrom the reverse end of the telescope, it’s not so easy\u003cbr\u003eto tell. Just because someone’s young doesn’t mean\u003cbr\u003ethat they are absolutely going to sound like a souped-\u003cbr\u003eup baby Moody Blues crossed with a young-wave\u003cbr\u003eStatus Quo, Barrettian Pink Floyd, Genesis-era\u003cbr\u003eGenesis and transitioning Barclay James Harvest (that\u003cbr\u003eis, third LP), all letting loose in the post-punk garage,\u003cbr\u003edoes it? Yes, it happens more than sometimes in rock\u003cbr\u003eand roll life, but with Wand, it’s always of essence to\u003cbr\u003econsider intent when analysing their output. What if\u003cbr\u003etheir desire to sound pixie-ish and ethereal while\u003cbr\u003emowing us down with buzzing guitars and bass (and\u003cbr\u003edrums and keys!) set to stun was simply a tactile\u003cbr\u003eapproach to the conceptualization of Phase I?\u003cbr\u003eWhatever the case, it can be generally agreed that in\u003cbr\u003e2014–15, they managed to pump out three distinct\u003cbr\u003eprogressions on this theme - ‘Ganglion Reef’, ‘Golem’\u003cbr\u003eand ‘1000 Days’ - at a trot, encompassing their golden\u003cbr\u003ePhases I-II in the process. 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Featuring “Catherine”, heard only in live performances, alongside previously unheard material, Blackhole captures the raw, unfiltered emotion that defines Adam’s songwriting. The shelved album, first demoed in 2006, became heavily bootlegged, with fans circulating low-quality recordings and snippets from live performances, fuelling a demand for the album’s official release. This long-awaited, full-length album not only satisfies years of fan speculation, but also reclaims a crucial moment in Ryan Adam’s history.\u003c\/p\u003e","brand":"Pax Am","offers":[{"title":"Vinyl LP","offer_id":49967870443843,"sku":"RPT-02830","price":30.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/1601\/8499\/files\/09b3dc30a4f17ddc2b6f3fd7a20cd30c.png?v=1730208818"},{"product_id":"facs-wish-defense","title":"FACS - Wish Defense","description":"\u003cp\u003eThe duality of “man” is a subject that has been explored in art for centuries, from writings of the Bible to Descartes, all the way up to filmmakers like Lynch, Cronenberg, \u0026amp; Carpenter. Who is your “true self” \u0026amp; what do they want? With their sixth studio album “Wish Defense” (again for longtime home Trouble In Mind Records), Chicago trio FACS take a good, long look in the mirror to face themselves.\u003c\/p\u003e\n\u003cp\u003eThe return of original member Jonathan Van Herik - who stepped away from the group just before their debut album “Negative Houses” was released in 2018 - replacing longtime bassist Alianna Kalaba brings renewed vigor \u0026amp; a marked angularity from the band’s more recent output. The songs still hit hard, but the approach is sideways - the roles have changed since Van Herik’s original tenure \u0026amp; his previous time with Case \u0026amp; powerhouse drummer Noah Leger in Disappears; now on bass, Van Herik was originally the group’s guitar\u003c\/p\u003e\n\u003cp\u003eplayer and features on the debut, while current guitarist Brian Case played bass. This role reversal has helped the band’s dynamic, offering up a different musical perspective than before, now revisiting the trio’s long-going collaboration with some distance and time.\u003c\/p\u003e\n\u003cp\u003eCase notes that the lyrics on “Wish Defense” revolve around doppelgängers or \"doubles”, tackling the idea of facing yourself and observing your ideas and motivations. Look no further than the album’s title track; “Enter the mirror \/ Double walker \/ An intimate \/ Wish defense \/ Is it real? \/ You beside me \/ The detail \/ Terrifying \/ Abject self \/ Your grief \/ A public \/ Performance”. Case lays out the entire album’s theme in one stanza; Are your actions \u0026amp; emotions your true self? Or are they a performative aspect of that “other” person you put\u003c\/p\u003e\n\u003cp\u003eforward? Case says that ultimately the sentiment is “...don’t let the bastards get you down, there’s something beyond this moment, like hope - but not in the naive belief that ultimately people are good”. “Wish Defense”s artwork is also a subtle reference to “Negative Houses”’ art, returning to that album’s black \u0026amp; white starkness \u0026amp; minimalism. The album’s checkerboards everywhere are offset reflections of themselves, mirrored with the album’s lyrics printed front \u0026amp; center on the cover. Everything is out in the open.\u003c\/p\u003e\n\u003cp\u003eA final note; “Wish Defense” is the last album engineered by Steve Albini. Two days were recorded at Electrical Audio in early May of 2024 before Steve’s untimely passing, with renowned engineer \u0026amp; friend Sanford Parker stepping in to finish the session 24 hours later, tracking the last bits of vocals and overdubs. Longtime collaborator John Congleton mixed the album as Albini would have; in Electrical Audio’s A room, off the tape, using Albini’s notes about the session.\u003c\/p\u003e","brand":"Trouble In Mind","offers":[{"title":"Indies White Vinyl LP","offer_id":50053171937603,"sku":"RPT-02998","price":20.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/1601\/8499\/files\/4b3a0497f396fe72e0fe147b3fa3c721.png?v=1730976189"},{"product_id":"my-morning-jacket-mmj-live-vol-4-terminal-5-nyc-the-tennessee-fire-10-18-10","title":"My Morning Jacket - MMJ Live Vol. 4: Terminal 5 – NYC – The Tennessee Fire 10\/18\/10","description":"\u003cp\u003eVolume 4 of the ‘MMJ Live’ series.\u003c\/p\u003e\n\u003cp\u003eThis release documents night one of My Morning\u003cbr\u003eJacket’s five-night 2010 residency run at Terminal\u003cbr\u003e5 in New York City.\u003c\/p\u003e\n\u003cp\u003eThe band performed their debut album,\u003cbr\u003e‘Tennessee Fire’, in its entirety, plus a seven-song\u003cbr\u003eencore, which includes covers of songs by Elton\u003cbr\u003eJohn and Jefferson Airplane.\u003cbr\u003e3LP available to independent retailers on red vinyl\u003cbr\u003ein a triple gatefold sleeve.\u003c\/p\u003e","brand":"ATO (UK)","offers":[{"title":"Triple Red Coloured Vinyl LP","offer_id":50063436742979,"sku":"RPT-03013","price":37.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/1601\/8499\/files\/2946fa01b278e64ce001af619e17849f.png?v=1731060531"},{"product_id":"nirvana-mtv-unplugged-in-new-york","title":"Nirvana - MTV Unplugged In New York","description":"\u003cp\u003eNirvana's now legendary 1994 MTV Unplugged performance in New York.\u003c\/p\u003e","brand":"UMC","offers":[{"title":"Vinyl LP","offer_id":51720674607427,"sku":"RPT-01873","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/1601\/8499\/files\/dcd23e7e394c41f86da215c892ec8862.png?v=1732904888"},{"product_id":"campus-christy-campus-christy","title":"Campus Christy - Campus Christy","description":"\u003cp\u003eCampus Christy is a collaboration between Stones Throw Records’ founder Chris Manak aka Peanut Butter Wolf (vocals) and Brian Ellis (instruments).\u003c\/p\u003e\n\u003cp\u003eNearly 25 years after his 1999 release of ‘My Vinyl Weighs a Ton’, Manak has formed a brand new musical project, reinterpreting lesser-known tracks from the late 1960s to early 1980s.\u003c\/p\u003e\n\u003cp\u003eCampus Christy revives Manak’s high school garage band moniker, a niche ode to the past.\u003c\/p\u003e\n\u003cp\u003eCampus Christy marks a new direction for Manak, who for decades has been closely associated with underground hip-hop.\u003c\/p\u003e\n\u003cp\u003e‘Very Complex’ features Piya Malik of Say She She, and ‘Candles’ also features Say She She.\u003c\/p\u003e","brand":"Stones Throw","offers":[{"title":"Vinyl LP","offer_id":51770827276611,"sku":"RPT-03468","price":28.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/1601\/8499\/files\/67c2735c887a0697ff434980aa18edb3.png?v=1733402263"}],"url":"https:\/\/www.recordplant.co.uk\/collections\/u-s-alternative-rock.oembed?page=2","provider":"Record Plant","version":"1.0","type":"link"}