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Rose City Band will be extensively touring throughout the UK, Europe, Canada and the United States. “It’s warm, airy and will relax your shoulders following three months of winter hunching.” - Guitar World “Ripley Johnson has been responsible for some of the past decade’s most mesmeric and beguiling albums... Rose City Band might be the best of the bunch.” - The Guardian “[Johnson’s] Rose City Band incarnation may be his most dazzling and uplifting so far... [Rose City Band] transforms the fuzz-drenched thrust of Johnson’s usual music into a beatific choogle, a modest but potent means of escape” - MOJO “This jammy psychedelic country group injects live band energy and dynamics into an otherwise controlled studio creation... like Yo La Tengo jamming with ‘Skull \u0026amp; Roses’-era Dead... Johnson’s metered songwriting and warm, textural playing keep the project’s earthy spirit intact as it continues evolving with every new set of tunes.” - AllMusiccoun\u003c\/p\u003e","brand":"Thrill Jockey","offers":[{"title":"Coloured Vinyl LP","offer_id":51851874468163,"sku":"RPT-03605","price":33.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/1601\/8499\/files\/b7bd7c811c018d2c29520eec48147997.png?v=1734284551"},{"product_id":"stiff-little-fingers-inflammable-material","title":"Stiff Little Fingers - Inflammable Material","description":"\u003cp\u003e\u003cbr\u003eStiff Little Fingers are proud to release Inflammable Material. Originally released in 1979, this seminal record, printed on black vinyl, explores themes of teenage boredom and sectarian violence with an underlying insight into Northern Irish life during the peak of the tensions.\u003c\/p\u003e\n\u003cp\u003eTheir punk rock aesthetic is authentic, with raw lyricism and harsh instrumentation. 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Originally recorded in 1974 during late-night sessions on a\u003cbr\u003e2\u003cbr\u003eshoestring budget, the album captured the raw energy of a young Judas Priest—Rob Halford, Glenn Tipton, Ian Hill, KK Downing, and\u003cbr\u003eJohn Hinch—just as their journey began. While the original release lacked the full punch of their live performances, this new version—\u003cbr\u003eexpertly remixed by legendary producer Tom Allom (British Steel, Screaming for Vengeance)—brings the power of these early\u003cbr\u003erecordings to life with modern technology. Hear the legendary tracks like never before, including \"One For The Road,\" \"Rocka Rolla,\"\u003cbr\u003eand \"Run of the Mill,\" now with the sonic clarity and depth that metalheads have been waiting for. This album lit the eternal metal flame,\u003cbr\u003eremastered for a new generation, and a must-have for any Judas Priest fan. Celebrate 50 years of metal history with the album that\u003cbr\u003estarted it all! 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Their debut album with Chrysalis Records is a collection of dreamy-pop sounds inspired by the likes of REM, The Strokes, Daft Punk, Cigarettes After Sex and Mac Demarco. 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Venomous Tex-Mex R\u0026amp;B and early rock n’ roll from San Antonio’s West Side scene. From 1961-67, Bexar county kingmaker Abe Epstein cut every teen combo to grace the Patio An daluz stage, launching the careers of Doug Sahm, The Royal Jesters, Sonny Ace, The Dreamliners, and hundreds more throughout the decade. Spread across two luxurious slabs of vinyl, The Cobra Label compiles 28 neuro toxic sides from Epstein’s first bite in the biz.\u003c\/p\u003e","brand":"Numero Group","offers":[{"title":"Opaque Gold Double Vinyl LP","offer_id":51942009405763,"sku":"RPT-03695","price":34.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/1601\/8499\/files\/42fc0a0449f9c1775cc5c1c4b1779716.png?v=1735042055"},{"product_id":"the-fall-live-in-clitheroe","title":"The Fall - Live in Clitheroe","description":"\u003cp\u003eRepress back in the new year. Limited orange 180 gram vinyl LP. 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Music video for lead single ‘Empire’ features John Carroll Kirby, with visualizers \/ lyric videos for all other singles. Eddie Chacon tours Europe in 2025. Vinyl design and packaging by Eddie Mandell (Ethel Cain, SZA, Dijon). For fans of Nick Hakim, John Carroll Kirby, Duval Timothy, dreamcastmoe, Beverly Glenn-Copeland. Available to independent retailers on Blue Smoke coloured vinyl.\u003c\/p\u003e","brand":"Stones Throw","offers":[{"title":"Blue Smoke Coloured Vinyl LP","offer_id":52076153438531,"sku":"RPT-03742","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/1601\/8499\/files\/b9d4729ded3b213cff8328dd4dc17604.png?v=1735988703"},{"product_id":"geologist-d-s-a-shaw-deal","title":"Geologist \u0026 D.S. - A Shaw Deal","description":"\u003cp\u003eSome things take a long time. And some things are meant to last. But how you know that, or learn how to find out, that’s a more intangible thing. That’s ‘A Shaw Deal’ - intangible. A communal meeting place for two old friends and their different musics. ‘A Shaw Deal’ is the first album by Geologist and D.S.. They go back a long ways - back before Highlife, before Shaw joined White Magic - back to the early childhood of Animal Collective. Basically, Doug Shaw touched down in NYC around 2003, and he and Geologist (Brian Weitz) have been friends ever since. D.S. first released his own music under the moniker Highlife on the album ‘Best Bless’ in 2010. Listeners were lifted by the sound - a vital new transmission imbued by the popular African guitar music, British folk-pop, desert blues and the ritual spirit energy that Doug had been evoking in White Magic with Mira Billotte. And really, if you knew Doug, this incredible alchemy was just one of the amazing ways he could come through on the guitar. And also, if you know Doug, you know that all his crazy shit is just massed up somewhere, ready to fill up a great album of his own. A couple of years back, Doug was posting bits of his playing on Instagram and Brian found them to be a much-needed escape from reality – he would just let them loop for stretches of time, get lost in there, and emerge with recharged energies. They were such perfect mini-encapsulations of Doug’s fantastic spirit. Brian was inspired. Eventually, he ran them through his modular system, editing and tweaking and looping as he went, creating new shapes and juxtapositions, instinctively rewiring Doug’s original sounds to extend the feeling of peace they’d given him. Once it was all together, it would make a cool birthday present to regift to Doug. And once the gift was given, it was sounding like an album too. From start to finish, ‘A Shaw Deal’ taps into D.S.’s guitar playing and the vibe of his expression, drawing out meditative waves in new forms while exploring the worlds within them. Geologist and D.S. collaborate in a manner that has brought comfort and release to them both. ‘A Shaw Deal’ leaves no doubt, as it radiates further into the world and beyond - it will bring a new range of views and feels to everyone who listens in.\u003c\/p\u003e","brand":"Drag City","offers":[{"title":"Vinyl LP","offer_id":52076454084931,"sku":"RPT-03747","price":28.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/1601\/8499\/files\/13352751d96bcfd56a611dacce4fc77f.png?v=1735990585"},{"product_id":"neil-young-oceanside-countryside","title":"Neil Young - OCEANSIDE COUNTRYSIDE","description":"\u003cp\u003eOceanside Countryside is the latest of Neil Young’s great “lost” albums to be released as part of his Analog Original Series (AOS). The album was recorded from May to December 1977, preceding the release of Comes A Time in 1978. The two albums share the same country\/folk sound, and three songs (“Goin’ Back,” “Human Highway” and “Field of Opportunity”) appear on both albums.\u003cbr\u003e \u003cbr\u003eThe vinyl release of Oceanside Countryside includes some tracks that are on the CD of the same name in Neil Young’s Archives Vol. III. However, this track list is how Oceanside Countryside was originally planned to be released and finally will be made available on vinyl for the first time ever. Recorded on tape, these are the original mixes done at the time of recording.\u003cbr\u003e \u003cbr\u003eAs Young states, “This analog original album, recorded in 1977, was unreleased at the time. These songs are the original mixes done at the time of the recordings. I sang the vocals and played the instruments on Oceanside, in Florida at Triad studios and Malibu, at Indigo studio. I sang the vocals and recorded with my great band of friends at Crazy Mama’s in Nashville on Countryside. I hope you enjoy this treasure of an Analog Original recording as much as I do.”\u003cbr\u003e– Neil\u003c\/p\u003e","brand":"Reprise","offers":[{"title":"Clear Vinyl LP","offer_id":52102911426883,"sku":"RPT-03769","price":31.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/1601\/8499\/files\/150909f1eff98d8e4177d1a23d4d3f79.png?v=1736169700"},{"product_id":"causa-sui-loppen-2024","title":"Causa Sui - Loppen 2024","description":"\u003cp\u003eCausa Sui returns with a new live album, recorded at their home turf – the legendary Copenhagen venue Loppen, located at the famous, and notorious, freetown Christiania – a venue the band has played more often than any other throughout their 20 year career. This set is the perfect companion to last year's career highlight ‘From The Source”, which saw the band condense the multiple stylistic aspects of their sound into an awe-inspiring 47 minutes. Represented here are key cuts from that album – including the sidelong 7-part epic ‘Visions of a New Horizon” - as well as a few fan favorites such as ‘Red Sun in June” from the band's Summer Sessions series, which has never previously been released in a live version. In this rendition the band let themselves get carried away, riding on the energy of the room, soaring into jammy Grateful Dead territory. Elsewhere the band explores jazzy, improvisatory group interplay (The Spot) and get as heavy as they can (Soledad, Boozehound). Getting carried away is what Causa Sui are all about when playing live, and that mentality is captured in entirety on this set. 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The runout groove of the original LP release on Dunhill Records contained a decorative banner proclaiming, \"Recorded at Home.\" Rhodes wanted to call the album Homecooking, but Dunhill decided to title it Emitt Rhodes. Rhodes recorded the instruments on a four-track recorder and then approached Dunhill, who gave him a contract. He transferred the four-track instrumental recordings to an eight-track recorder to add the vocals on the four additional channels (and using a better microphone). The album reached number 29 on the Billboard album chart. The single \"Fresh as a Daisy\" reached number 54 on the Hot 100. Billboard later called the album one of the \"best albums of the decade\". 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And in a fundamental shift from their first dozen years as a band, Jaar and Harrington recruited their longtime friend and collaborator, the drummer and instrument designer Tlacael Esparza, to become a full-time member.\u003c\/p\u003e\n\u003cp\u003eThe outcome is magnetic and hieroglyphic. This album slips through the cracks of convention with serpentine guitars, extraterrestrial static, and cavernous drums. Haunted rhythms, distorted vocals, and uncanny beauty. 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Surrounded by the gentle Breeze of these relationships and recollections, Mereba is empowered as both an artist and mother, while also being reminded to nurture her childlike wonder. Mereba gracefully shines on the follow-up to her bounteous 2019 debut, The Jungle Is the Only Way Out. In escaping the Jungle, Mereba faced the paradigm shift of birthing a son in 2021 and getting accustomed to a rapidly changing self- outlook. Mereba’s creative output has always relied on her innermost reflections and ideas on whatever was happening around her; but in motherhood, the singer’s perspective widened while her inspiration became more focused, and more individually powerful. “Even though I'm fully an adult, I had to grow up in a way overnight when he [my son] came,” Mereba explains. “The process of watching him open up to the world, learn how to engage with the world, it is very tender. I feel like it's the most reminded I've ever been of when I was a child and the first memories I have of life. ”The transformation brought Mereba to the intimacy of DIY recording sessions, providing an honest and organic foundation to Breeze. Mereba tapped her longtime production collaborator Sam Hoffman to co-assemble the album’s rich production, which parallels its folk-like warmth. Although Mereba is a true double Earth sign–Virgo and Virgo rising–the development of Breeze was anchored by experiences and memories that span from Atlanta to L.A., Addis Ababa to Greensboro, an intention that speaks to the album’s fluid nature. While nowhere near the end of her musical trek, The Breeze Grew a Fire is a loving, inspiring return to origin, one where Mereba frees a painful past, eases into future possibilities, and goes with life’s flow.● Mereba returns with her highly anticipated third album and first for Secretly Canadian, The Breeze Grew a Fire● Previous collaborations\/features include: Dreamville, JID, BLK ODYSSEY, Saba, Ravyn Lenae, Baby Rose and more. 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Kidnap fans old and new will relate to the bittersweet sentiment captured in ‘Something Lost, Something Gained’, an album that evokes magic memories while still finding plenty to celebrate in the here and now. Album singles have resonated with fans and tastemakers alike, with BBC Radio 1’s Sian Eleri calling ‘Fortified’ ft. 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Formed while still at school together in the 2010s, the last few years have seen Last Train not only forge a committed and passionate fanbase around their music but also earn the approval of the likes of Muse and Placebo, who have both invited Last Train to join them on tour and, like those two UK rock giants, with ‘III’ Last Train have created an album full of stunning contrasts, possessing a series of dynamics that shift, twist and turn in ways that will engross in a raw and direct manner. ‘III’ is also a record of righteous anger, because it turns out when you are a band used to pouring your hearts and soul into rock songs and then playing them live every night, when you skip that kind of expression over a period of time thanks to lockdown, a lot of feeling builds up. “We were pissed off!” smiles the band’s Julien Peultier of the energy behind ‘III’. “I don’t know why, but that’s how it felt to me.” “We hadn’t toured, so we hadn’t played a show for a year-and-a-half, which is something that has never happened with Last Train before because we deeply love playing shows,” reasons Last Train’s Jean-Noël Scherrer in agreement. “So we were frustrated and full of anger. We were ready for the fight when we came to these songs.” Written in a three-month-long burst at their Lyon base, songs for ‘III’ understandably flowed quickly, something reflected in the passion behind the album’s dynamics which range from unconstrained, loud emotional bursts to quieter - sometimes enthralling, sometimes menacing - sections, but all shot through with a burning intensity. It’s an atmosphere that pervades the album. Opening with ‘Home’, which mixes lightning strike guitars and relentless drums with a simple lament, the mix of raw emotion and violently precise musical energy is both striking and hypnotic. Fragile feeling tracks ‘How Does It Feel?’ and ‘This Is Me Trying’, which sit either side of the relentless outburst of ‘All To Blame’, step back from the blistering opening pace though neither flinches from the strength of feeling, as they pervasively and intoxicating expand. ‘Revenge’ radiates around a truly warming core - possibly inspired by the diet of pop music the group consumed in their spare moments - before blooming into a haze of chiming guitars, which is quickly followed by ‘One By One’s’ charging urgency. Following the spacey interlude ‘You’ve Ruined Everything’, ‘III’ concludes with ‘I Hate You’. Although its languid opening section initially contrasts with the bitter sentiments of the title, there’s no danger of Last Train running out of the anger that fuelled the record, as ‘III’ ends in a blaze of driving music and wild feedback powerful enough to conquer any castle. “It's an intense album but one that really creates something for the audience,” concludes Scherrer. “I don’t think it is the kind of record where you’re just going to say ‘yeah, yeah, I like it’ but ‘that made me feel something!’ You will have a reaction to this music, which is what we wanted.” ‘III’ really is the charm.\u003c\/p\u003e","brand":"Pias","offers":[{"title":"Vinyl LP","offer_id":52184532681027,"sku":"RPT-03835","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/1601\/8499\/files\/f10db4f70c838ea066f4b1a83d18294b.png?v=1736605673"},{"product_id":"sideshow-f-u-n-t-o-y","title":"Sideshow - F.U.N. T.O.Y.","description":"\u003cp\u003e‘F.U.N. 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Available to independent retailers on split red \/ yellow \/ blue coloured vinyl housed in a printed inner sleeve.\u003c\/p\u003e","brand":"10K","offers":[{"title":"Coloured Vinyl LP","offer_id":52184644157763,"sku":"RPT-03836","price":34.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/1601\/8499\/files\/3acae4add5e48b8302a49d52e9487431.png?v=1736606548"},{"product_id":"ol-dirty-bastard-n-please","title":"Ol Dirty Bastard - N**** Please","description":"\u003cp\u003ePressed on translucent yellow smoke \u0026amp; clear smoke coloured vinyl, packaged in a gatefold jacket. Ol' Dirty Bastard aka Ason Unique, real name Russell Jones, was truly a one-of-a-kind, never-to-be-imitated emcee. As one of the founding members of the Wu-Tang Clan, Ol' Dirty Bastard released his classic RZA-produced debut solo album Return To The 36 Chambers: The Dirty Version in 1995. After the release of Wu-Tang Forever in '97, ODB had several run-ins with the law and was in and out of court and jail, but it didn't stop him from being himself. ODB got back in the studio in 1999 to record his second studio album and with a little help from The Neptunes dropped the hit single \"Got Your Money.\" The video for the single was cut with scenes from Dolemite and one scene inspired the name of the album N***a Please which was released on Sept 14th, 1999, and would unfortunately be the last album to be released during Ol' Dirty Bastard's lifetime. The album is full of ODB's lyrical antics backed by a crew of producers including the RZA and Wu-Tang affiliated Tru Master and Buddah Monk along with The Neptunes and Irv Gotti. Out of print on vinyl since it was released 25 years ago, Get On Down is proud to honour the legacy of Ol' Dirty Bastard with a translucent yellow smoke and clear with smoke-coloured vinyl pressing packaged in a gatefold jacket with a 25th Anniversary hype sticker.\u003c\/p\u003e","brand":"Get On Down","offers":[{"title":"Translucent yellow smoke \u0026 clear smoke coloured vinyl","offer_id":52222467735875,"sku":"RPT-03856","price":43.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/1601\/8499\/files\/abb014bec078c5615182f015f3ad2b10.png?v=1736857574"},{"product_id":"perfume-genius-glory","title":"Perfume Genius - Glory","description":"\u003cp\u003e“Glory has a pristine surface and a tender, roiling underside. Mike Hadreas’ seventh album is muscular, filled out by his partner in life and songcraft Alan Wyffels and longtime producer Blake Mills alongside the fiercest band Perfume Genius has ever assembled: guitarists Meg Duffy and Greg Uhlmann, drummers Tim Carr and Jim Keltner, and bassist Pat Kelly. These players marshall their power, and Hadreas his macabre imaginings and gallows humor, to humane ends. Perfume Genius pries open a mildewed den full of alienation, longing and desire and lets it bask in the sunlight. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe record’s central conflict, says Hadreas, is the “back and forth between internal and external.” Promoting his string of beloved, increasingly ambitious albums during the past decade and a half—touring the world, dwelling in the public eye—clashed with his innate impulse toward isolation. For Glory, he discovered a new songwriting process because he welcomed the dynamics of a group, leaving room in his compositions for his friends to flesh out the arrangements. As Hadreas says: “I’m more engaged with the band and the audience. I’m still on some wild tear, but there’s more access and it’s more collaborative, in a way that makes it better, but also scary—because it feels more vulnerable. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eLyrically, these 11 concise tracks reveal uncanny situations that we can just barely discern, scenes of domesticity and desperation projected through an idiosyncratic, queer prism. Each cut is a character sketch at its core, and Hadreas assembles a whole cast: Dion, Angel, Tate, the familiar Jason we recognize from his eponymous number on 2020’s Set My Heart On Fire Immediately and Hadreas’ last release Ugly Season. These figures float through an abstracted landscape even as Perfume Genius pins them down with a novelist’s specificity. The result is mesmerizing and life-affirming, a bonafide singer-songwriter record that’s both the most lyrically deft and musically eloquent statement of his career.”  … - Daniel Felsenthal\u003c\/p\u003e","brand":"Matador","offers":[{"title":"Cobalt Blue Vinyl LP","offer_id":52237337887043,"sku":"RPT-03872","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/1601\/8499\/files\/2ce691fe4bfd0e78ef7ba4dae88b7a45.png?v=1736949963"},{"product_id":"the-chills-spring-board-the-early-unrecorded-songs","title":"The Chills - Spring Board: The Early Unrecorded Songs","description":"\u003cp\u003e‘Spring Board: The Early Unrecorded Songs’ is a Martin Phillipps passion project. A dedicated reimagining of his earlier unreleased songs that became his artistic farewell, a lasting legacy, and a reminder of his huge, underappreciated talent. The album has been finalised for release with the love and support of his band, family and friends. As the subject of an undulating life and times movie – The Chills: The Triumph And Tragedy Of Martin Phillipps – Chills’ singer, songwriter and main motivator, Martin Phillipps spent the last decade releasing studio and live albums while careering into his sixtieth year with typical gusto. Amid such momentum, Martin was stilling digging through old tapes, searching for the foundations that resulted in global rapture in 1987, an overnight success that took a mere seven years to ignite. These early songs and musings were revisited, revised and finally put to record. As such, ‘Spring Board’ is the final chapter of The Chills, immeasurably significant output. ‘Spring Board: The Early Unrecorded Songs’ is alarming, personal, brittle and at times hopelessly upbeat. This is a man casting his mind back on an esoteric career that led to nothing short of cult status; someone rediscovering his roots, his innermost thoughts, hopes and fears. The Chills are Martin Phillipps, Oli Wilson, Erica Scally, Callum Hampton and Todd Knudson. ‘Spring Board’ features contributions from Fur Patrol’s Julia Deans, Elroy Finn and Split Enz, Crowded House alumni Neil Finn, Tiny Ruins’ Hollie Fullbrook, Manics producer Greg Haver, Troy Kingi, Shona Laing, Tami Neilson, Dianne Swann (Everything That Flies) and Purple Pilgrims’ Clementine Valentine.\u003c\/p\u003e","brand":"Fire Records","offers":[{"title":"Gold Vinyl 2LP","offer_id":52305263329603,"sku":"RPT-03932","price":28.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/1601\/8499\/files\/dfd4178eced921db8600d1be93e7b276.png?v=1737457094"},{"product_id":"deep-sea-diver-billboard-heart","title":"Deep Sea Diver - Billboard Heart","description":"\u003cp\u003eSt. Vincent, TV on the Radio, and Flock of Dimes, bands that have found newly ornate and magnetic ways to make indie rock by discarding notions of how it must sound or what it must say. It’s their fourth album and first for Sub Pop, and it is a coup, a triumph over self-doubt, transforming failure into an opportunity to find new freedom, belief, and strength. In the middle of July 2023 in a Los Angeles studio, Deep Sea Diver mastermind Jessica Dobson took a guitar solo but somehow felt nothing. Just days earlier, her Seattle band played a series of semi-secret shows for devotees as de facto rehearsals for a new record. The sets had gone well, but the new songs seemed muddled, Dobson’s conviction lost somewhere in the 1,000 miles between Southern California and the home studio she shares with partner, drummer, and frequent cowriter Peter Mansen. On that first night in Los Angeles, she broke down, wondering what she was doing there, and pondering how to fix it. Deep Sea Diver retreated home without an album. Did they need to scrap it, to begin again with new material? Not at all: Following a brief break, Dobson found a renewed sense of self, a trust in her vision for her band and songs and her ability to capture them. Over dinner with longtime collaborator Andy Park, a humbling confession that she needed help inspired Dobson to reimagine and reinvigorate Deep Sea Diver. This revelation set the stage for the power and brilliance of Billboard Heart, three years before Dobson’s galvanizing dinner with Park, Deep Sea Diver issued its third album, 2020’s Impossible Weight, via the colossal indie imprint, ATO. It was a significant step up and earned the band a groundswell of exposure and a spot on Billboard charts. But the success caused Dobson to doubt her impulses, to wonder what an idea’s impact or reception might be as much the strength of the idea itself. Moments of domestic creation, with her at the piano and Mansen on guitar in their Seattle living room, forged a path forward, and reinvigorated the pair’s songwriting partnership. From end to end, the material on Billboard Heart is astonishing. The title track is the one song Deep Sea Diver actually finished in Los Angeles. It’s a radiant and magnificent thing, the billowing synths of Elliot Jackson and tunnelling pedal steel of Greg Leisz bolstering an anthem for fearlessly advancing into the future. “Emergency” links hardcore’s vim to electroclash’s instant allure with Dobson’s captivating vocals and guitar work in the spotlight. Tender and vulnerable, “Tiny Threads” is a sweeping anthem for anyone trying to hold anything together—life, love, themselves. “If it haunts me, let it haunt me,” Dobson sings softly over a stillness framed only by bass and noise. She lets her guitar careen into feedback, then steadily sculpts it into something tuneful. It’s a lifetime of anxiety and sublimation, crystallized into  seconds. Billboard Heart feels that way at large. Billboard Heart emerged when Dobson trusted her instincts, a personal breakthrough that prompted an artistic one. It is, in turn, the best Deep Sea Diver album yet, a defiant and brilliant exclamation mark at the end of a long period of wandering.\u003c\/p\u003e","brand":"Sub Pop","offers":[{"title":"LP Loser Pink Vinyl","offer_id":52305352687939,"sku":"RPT-03934","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/1601\/8499\/files\/5a7d5f1a069b53e2ec882306980cfdf9.png?v=1737457653"},{"product_id":"mdou-moctar-tears-of-injustice","title":"Mdou Moctar - Tears of Injustice","description":"\u003cp\u003eIf Funeral for Justice was the sound of outrage, Tears of Injustice is the sound of grief. Mdou Moctar’s new album is Funeral for Justice completely re-recorded and rearranged for acoustic and traditional instruments. It is an evolution of the band’s critically-adored breakout – the meditative mirror-image to the blistering original. In July of 2023, Mdou Moctar was on tour in the United States when the president of Niger, Mohamed Bazoum, was deposed by a military junta who made him prisoner at the presidential residence. They ordered the nation’s borders closed, leaving band members Mdou Moctar, Ahmoudou Madassane, and Souleymane Ibrahim unable to return home to their families. Plans to record a companion to Funeral for Justice – then still many months from release – had been in the works already, but the idea now took on new urgency and gravity. Two days after the tour wrapped in New York City, the quartet began tracking Tears of Injustice at Brooklyn’s Bunker Studio with engineer Seth Manchester. “We wanted to make a separate version of Funeral for people to hear,” explains the band’s US-based bassist and producer, Mikey Coltun. “We’re always playing around with arrangements at shows. We wanted to prove that we could do it on a record, too. And there’s a whole other side of the band that comes out when we play a stripped down set. It becomes something new.” They chose to track Tears sitting together in one room, keeping the session loose, stripped down, and spontaneous. “We didn’t really work on the arrangements prior to going in,” recalls Coltun. “We’d just play, find the feel, and do the song.” Things came together quickly, with principal recording wrapped in only two days. The hypnotic 8-minute take of ‘Imouhar’ is actually two distinct passes through the song performed in quick succession – Moctar didn’t stop playing long enough to split the takes apart. After a month, the band was able to return home to Niger and, when they did, Coltun gave Madassane a Zoom recorder to take along. The rhythm guitarist used it to record a group of Tuaregs performing call-and-response vocals, which were later added into the final mix. On Funeral for Justice, anger at the plight of Niger and the Tuareg people is plainly expressed in the music’s volume and velocity. On Tears, the songs retain that weight sans amplification. They are steeped in sadness, conveying the grief of a nation locked into a constant churn of poverty, colonial exploitation, and political upheaval. It is Tuareg protest music in raw and essential form. “When Mdou writes the lyrics, he typically writes them with an acoustic guitar. 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The Line of Best Fit proclaimed ‘Zdenka 2080’, “disorientating and fascinating,” DJ Mag called it “A smorgasbord of freaky fun” and rated it 8.5\/10, The 405 declared it “a captivating listen” and the album was nominated for Album Of The Year 2019 at Gilles Peterson’s Worldwide Awards. Salami Rose Joe Louis has toured extensively since 2019 with numerous established artists such as Toro y Moi, The Cinematic Orchestra, Flying Lotus, Tune-Yards, Homeshake, MNDSGN, Clairo, Still Woozy and The Comet is Coming, in addition to collaborations with Toro y Moi, Alice Phoebe Lou on her Strongboi project, a remix for Brainfeeder labelmates Hiatus Kaiyote and writing credits on ‘Scapegoat’ from GRAMMY-winning rapper Baby Keem’s acclaimed debut album. 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Composer Einar Selvik states “Himinndotter (Sky-daughter) is part of a six-song exploration of the bear on Wardruna´s upcoming album Birna (She-bear). The title plays on the globally common notion of the bears mythical origin as a celestial being. Himinndotter features guest appearance of the Norwegian choir Koret Artemis”.\u003cbr\u003eThe video for Himinndotter is filmed in Rondane National Park in Norway and once again directed by Wardruna´s longtime collaborator Tuukka Koski, and produced by Breakfast Helsinki and Ragnarok Film. \u003cbr\u003eBirna – the she-bear in Old Norse – is a work of art dedicated to the warden of the forest, nature’s caretaker, and her battles here on earth. Slowly driven out of her habitat by modern day societies, she has entered a stage of permanent hibernation. As a result, the forest is gradually dying, longing for its pulse and heart – its shepherd. Birna calls for her return.\u003cbr\u003eThe bear frequently figures in the oldest myths of mankind in the northern hemisphere, and many indigenous people still regard this animal as a totem, honouring it with rites and songs. It was once our respected guardian, our guide to edible plants and berries, a creature we both feared and admired.\u003cbr\u003eThe heartbeat of the dormant bear, around nine beats per minute, can be felt throughout the Birna album. This cyclical process, so embedded both in nature and the worldview of older cultures, drives Einar Selvik’s every creative work. Birna nurtures the insight that has been at the core of Selvik’s philosophy right from the start: sowing new seeds whilst strengthening old roots. \u003cbr\u003eInstruments and wisdom from ancient times, coupled with modern day soundscapes and recorded sounds of nature, provide a rare opportunity to tell us something valuable about ourselves. It works as a reminder that we are part of nature, not above it, and it offers a way of remembering, not for memory’s own sake, but to gain both new and forgotten insights.\u003cbr\u003eAlong with the new album comes recorded show of Wardruna’s unique equinox performance at the world heritage site Odeon of Herodes Atticus, Acropolis, Athens. The concert proved to be the pinnacle of an intense period of worldwide touring, ending the Kvitravn cycle in a remarkable way. Spanning over two hours, the show featured outstanding live performances of songs from the group’s discography, such as Helvegen, Kvitravn, Heimta Thurs and Lyfjaberg (that will be featured on the new album Birna).\u003cbr\u003eCaptured for all eternity by Kolibri Media, Wardruna now presents the DVD and Blu-Ray ‘Live at the Acropolis’, featuring the full show, additional interviews and impressions of the meet and greet at the Underflow Record Store.\u003cbr\u003eIn support of the new album, Wardruna will embark on an extensive world tour starting on October 3 at Red Rocks in Colorado (US). In the autumn of 2024 and the spring of 2025, audiences in North and South America, Europe, Australia and New Zealand, the UK, Iceland and the band’s home country Norway will witness the awakening of the bear live on stage. 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Mother’s Daughter and Other Songs, a debut long player whose acoustic guitars and poetic disquisitions on nature, mythology and the human condition, courtesy of Sam Genders, sieved through fellow band founder Mike Lindsay’s lattice of fractured beats and crackling electronics, still sounds like an impiously postmodern wedding of the rustic and the synthetic, the arcane and the futurist – one for which the designation ‘pagan folktronica’ is as good a shorthand as any. \u003c\/p\u003e\n\u003cp\u003eWhichever way we choose to describe it, that 20-year-old signature sound makes a warm return on Tunng’s eighth studio album, Love You All Over Again, a winning amalgam of texture and melody, disconcerting imagery and shapeshifting production, predicated, Lindsay reveals, on a conscious reacquainting with the band’s first principles.  “I went back to the first two albums just to listen to how we fused genres – things like Davy Graham, Pentangle and the Wicker Man soundtrack, all of which I was discovering back then, together with Expanding Records [the Shoreditch-based repository of soi-disant ‘beautiful electronic music’], whose studio space we shared. That was all going into the early records. Over the years, Tunng’s sound has varied and twisted, but at the root there is always a flavour of what Sam and I made on that first album. Rather than searching for a new avenue we went back to what we used to do, which, after all this time, felt like it was a new avenue... Love You All Over Again is our way of coming full circle.” \u003c\/p\u003e","brand":"Full Time Hobby","offers":[{"title":"Heart Red Vinyl LP","offer_id":52307724403011,"sku":"RPT-03957","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/1601\/8499\/files\/2d9992dd0a63c96481d78978fe7f6c11.png?v=1737474020"},{"product_id":"tubby-hayes-splonge-an-introduction-to-tubby-hayes","title":"Tubby Hayes - Splonge! 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Central Cee achieved further success with his 2022 single \"Doja\", which peaked at number two on the UK Singles Chart and became the most-streamed UK rap song in Spotify history. In June 2023, he released the single \"Sprinter\" (with Dave), which became his first UK number-one single and preceded their collaborative EP, Split Decision (2023). The song also became the longest-running number-one rap song in the UK, holding the position for 10 weeks. 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Recorded in Bristol's J\u0026amp;J studios with Bat For Lashes and Hannah Peel mixer \/ producer TJ Allen, 'Faux Animaux' is a unified and sophisticated update of modern British alt-pop, drifting from sizzling space disco to stunning, swirling cinematic vistas.\u003cbr\u003eBlue Violet returned to the stage in March - when they also shared one off single 'Human After All' - to join The Gaslight Anthem during various shows at London's Roundhouse, but as the duo have shown festival crowds this summer, 'Faux Animaux' is set to usher in their own glory days. It's a stunning amalgam of modernism and melody that spotlights not just humankind's failings and fakery but its leaders' too. \"The fake animals could be seen as the powers that be, leading us down paths that result in us ignoring our more natural instincts, often making decisions without our permission,\" says Sam. Quietly, a beast awakens.\u003c\/p\u003e","brand":"ME \u0026 MY RECORDS","offers":[{"title":"Vinyl LP","offer_id":52338396332355,"sku":"RPT-03983","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/1601\/8499\/files\/4e45bcf5b44a87c792455eef7ad4de05.png?v=1737646011"},{"product_id":"c-duncan-its-only-a-love-song","title":"C DUNCAN - ITS ONLY A LOVE SONG","description":"\u003cp\u003e\"I love the idea of something being so romantic that it almost hurts,\" says C (for Chris) Duncan of the music he adores. Glasgow's classically trained multi-instrumentalist and singer-songwriter honours that idea with tremendous reserves of panache and feeling on his fifth album, It's Only a Love Song, released through Bella Union on 24th January 2025. Flushed with swooning strings, enraptured images, classicist melodies and dreamy harmonies, it's a record of orchestral pop romanticism at its most sublime: one from the heart, warmed by a deep ache of constant yearning.\u003cbr\u003eAn expansive beauty of an album, the record is made all the more extraordinary by its homegrown gestation. Duncan wrote and played most of it himself at his home studio (he also did the artwork) in Helensburgh, an experience suited to his sense of care and craft. \"If you want to spend ages working on one tiny sound and then do a broad sweep of something else, it doesn't matter because the time is yours. I'm not paying for studios, which works for me because I go from having intense periods of working to spending ages making a snare drum sound a bit nicer. It'll take days to do, but it's good.\"\u003cbr\u003eThe result is Duncan's most lush release, and a fresh peak in a dazzling creative arc. Born in Glasgow, he played in school bands before studying music composition at the Royal Conservatoire of Scotland. His haunting debut album, Architect (2015), banked a Mercury Music Prize nomination; its follow-up, the Twilight Zone-inspired The Midnight Sun (2016), reached the shortlist for the Scottish Album of the Year. A tour with Elbow then beckoned, after which Duncan recorded the richly melodic Health (2019) at Elbow's Salford studio with Craig Potter. Another entry on the shortlist for Scottish Album of the Year came accompanied by effusive reviews: throughout his career, Duncan has banked raves from The Guardian, NME, MOJO, Uncut and others, alongside much love from BBC Radio 6 Music.\u003cbr\u003eBesides support slots with Belle \u0026amp; Sebastian and Elbow, Chris went on to fill sizable venues in his own name, including London's Union Chapel and Scala. Another career development beckoned in 2020 via a collaboration with Bella Union's Simon Raymonde for the Lost Horizons project on the song 'Circle', prefiguring the effortless-seeming breeziness of Alluvium. It's Only a Love Song is his next great leap forward, a heartfelt valentine to romance with its head in the heavens and its sweep in the cinema stalls. Alongside The Carpenters and Scott Walker, declared influences range from Michel Legrand to Bernstein's West Side Story and the films of Jacques Demy, whose The Umbrellas of Cherbourg boasts music to make hearts sing. \"It's almost hyper-romantic, which I love,\" explains Chris: \"That way in music where you get to a point where your heart can't actually take anymore.\" Radiant and rapturous, It's Only a Love Song takes you right there.\u003c\/p\u003e","brand":"BELLA UNION","offers":[{"title":"Vinyl LP","offer_id":52338464588099,"sku":"RPT-03984","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/1601\/8499\/files\/0c3021a88f18d11a1a3851db4788e37f.png?v=1737646161"},{"product_id":"pete-rock-cl-smooth-mecca-and-the-soul-brother","title":"Pete Rock \u0026 CL Smooth - Mecca And The Soul Brother","description":"\u003cp\u003eRepress in soon, please note the new price. Pete Rock And CL Smooth’s full-length debut is presented here as a double lp pressed on clear vinyl! Get On Down proudly present Mecca And The Soul Brother, the critically acclaimed 1992 full-length debut from Pete Rock \u0026amp; CL Smooth. The album is considered as one of the greatest Hip Hop albums of all time. Boasting tracks such as the first single, “They Reminisce Over You (T.R.O.Y.)”, a dedication to their deceased friend; “Trouble T-Roy”, which went on to become not only their signature hit, but also one of Hip Hop’s all-time great songs. The album is propelled forward by Rock’s quick, soulful interludes; usually bits of old R\u0026amp;B tunes layered with his signature trumpet and sax loops. Smooth’s liquid freestyle delivery pieces together the perfect vocal match that, together, creates a sprawling, nearly 80-minute-long album on which not a single song or interlude is a throwaway or a superfluous piece. Mecca And The Soul Brother has stood the test of time. The release has been named one of the essential recordings of the 90s by Rolling Stone, appears on Ego Trips listing of the Top 25 Hip Hop albums released from 1980-1998, and appeared on The Source’s 100 Greatest Rap Albums of all time.\u003c\/p\u003e","brand":"Get On Down","offers":[{"title":"Clear Vinyl 2LP","offer_id":52363718132035,"sku":"RPT-03996","price":42.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/1601\/8499\/files\/f26b31d8377dfdd203e083d8c5ae0205.png?v=1737802050"},{"product_id":"pete-rock-cl-smooth-the-main-ingredient","title":"Pete Rock \u0026 Cl Smooth - The Main Ingredient","description":"\u003cp\u003eWe are the planters of the weeds or roses in our garden. Take the plunge within yourself to find The Main Ingredient.” So reads CL Smooth’s album dedication in the liners to Pete Rock \u0026amp; CL’s underrated, soulful and deeply grooving sophomore album. For fans, it was bittersweet, as it would be their last as a duo. By 1994, Pete and CL were darlings of both fans and critics, still on a high after 1992’s Mecca \u0026amp; The Soul Brother and the album’s emotional smash single “They Reminisce Over You (T.R.O.Y.).” Two years later, they had grown even more as men and artists. Gone was some of the righteous striving of their earlier work, replaced by mature – yet still righteous – wisdom. And a lot more love as well, bringing a larger female constituency into their fanbase. They were adults now, reveling in the plateau they had reached. The duo’s ‘90s swan song is a powerful double album that still resonates with Golden Era hip-hop fans: 16 cuts deep and full of intelligence, fire and warmth. Beats-per-minute-wise, the album mostly clocks at a comfortable strutting pace, bolstered by Pete Rock’s pioneering use of filtered basslines and a recently-hatched obsession with Rhodes piano. The new tracks filled speakers and headphones with soul, as CL continued to assert his lyrical prowess all throughout. The lead single, “I Got A Love,” is a perfect example of the group’s ‘94 steez: a super-catchy and respectful, but far-from-soft love track, suitable for any rap fan’s romantic needs. “Take You There” and “Carmel City” cover similar ground. Considering CL Smooth’s top-level brag rapper status, cuts like “I Get Physical,” “Get On The Mic” and “Check It Out” effectively reminded competitors not to test him. Pete also gets in the game on the mic several times on the album, acquitting himself nicely (and solo) on the cloudy day soul of “Escape,” alongside other cuts. Add more pensive lyrical forays like “All The Places,” “Searching,” and – perhaps the album’s sleeper cut – “It’s On You” and you have one of the more complete rap full-lengths of the mid-1990s. This isn’t surprising, considering the wonder twins-esque skills of Pete and CL. But it does make fans wonder what would have happened if they had stayed together longer. \u003c\/p\u003e","brand":"Get On Down","offers":[{"title":"Double Vinyl LP","offer_id":52363752374595,"sku":"RPT-03997","price":40.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/1601\/8499\/files\/e8221696be39721bf37bdd54d1f4c390.png?v=1737802370"},{"product_id":"jeffrey-lewis-the-even-more-freewheelin-jeffrey-lewis","title":"Jeffrey Lewis - The EVEN MORE Freewheelin' Jeffrey Lewis","description":"\u003cp\u003e\"Jeffrey is the best pure songwriter I know of” - David Berm\u003c\/p\u003e\n\u003cp\u003eThe EVEN MORE Freewheelin’ Jeffrey Lewis was recorded in just four days in Nashville, by Roger Moutenot (long-time producer of Yo La Tengo, and the previous Jeffrey Lewis album Bad Wiring), and features the Jeffrey Lewis \u0026amp; The Voltage touring band of Brent Cole on drums, Mem Pahl on bass and Mallory Feuer on violin and keyboard. Jeffrey’s style of “anti-singing” continues to reach for the humanity behind the artifice, mirroring the nudity of the album cover. Speaking of which: One snowy February day in 1963, Bob Dylan and Suze Rotolo were photographed in New York City for the cover of The Freewheelin’ Bob Dylan LP, around the corner from Dylan’s 4th Street apartment. 60 years later, lifelong 4th St resident Jeffrey Lewis had the idea to try to take the same chilly photo but with no pants on, to prove himself “even more” freewheelin’ than Bob! This plan was foiled by global warming, as New York City winters no longer offer snowy street photo ops, but at least Jeffrey tried.\u003c\/p\u003e","brand":"Blang Records","offers":[{"title":"Vinyl LP","offer_id":52387684876611,"sku":"RPT-04035","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/1601\/8499\/files\/4127483e7e34e5095c6eb0b6b3ea2768.png?v=1737980016"}],"url":"https:\/\/www.recordplant.co.uk\/collections\/out-this-friday.oembed?page=6","provider":"Record Plant","version":"1.0","type":"link"}