Lamb Of God - Into Oblivion Lamb Of God
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Now available as Ltd. neon orange-black splattered LP, replacing the sold-out Ltd. olive green-white splatter LP (19958406661)
While the olive green-white splatter LP was only available in Germany, France and the UK, the new version is available in all territories (except USA/CAN where we´t have release rights)
Special tour edition incl. the tracks “Children Of The Grave” and “Sepsis (Live)” which were previously available only as bonus tracks for specific territories
LAMB OF GOD’s tenth album, “Into Oblivion”, sees them embracing their position as music veterans: Beholden to no one, with nothing to prove. As such, “Into Oblivion” is an album that simultaneously references LOG’s roots, doubles down on their signature groove, and explores new sonic territory. Ask vocalist Randy Blythe why the band decided to call their tenth album “Into Oblivion”, and he doesn’t mince words: “Because that’s where we’re heading,” he says. “In general, the album is about the ongoing and rapid breakdown of the social contract, particularly here in America. Things are acceptable now that would’ve horrified people just 20 years ago.” Blythe also explores underlying factors of personal accountability. “People's increasing inability to accept uncertainty within their own lives has led them to look for someone to tell them, ‘Everything's going to be okay as long as you believe in me. I have all the answers. I alone can fix it,’” Blythe says. “There's this willing relinquishing of agency and of responsibility.”
Produced by the band’s longtime collaborator Josh Wilbur, “Into Oblivion” was recorded at three different studios across the country. The drums were tracked at The Bakery in Richmond. The guitars and bass were tracked at Mark Morton’s (guitar) home studio in Virginia. The vocals were recorded at Total Access, the legendary studio in Redondo Beach, California, that birthed Black Flag’s “My War” and seminal records from Hüsker Dü, Descendants and Saint Vitus. “When I walked in there, I immediately felt at home because I felt that punk rock history, which is the world I come from,” Blythe enthuses.
In the end, all these factors—the music, the recording, the lyrical themes, and the band’s own creative goals—coalesced into what you hear on “Into Oblivion”.
GERMAN
Ihr zehntes Album „Into Oblivion“ unterstreicht LAMB OF GODs Position als Musikveteranen und beweist, dass die Band niemandem mehr etwas beweisen muss: „Into Oblivion“ referenziert ihre Wurzeln, ihren charakteristischen Groove und erkundet dennoch neues Terrain.
Fragt man Sänger Randy Blythe nach dem Albumtitel „Into Oblivion“, so antwortet er ohne Umschweife: „Weil wir genau darauf zusteuern. Das Album handelt vom anhaltenden und raschen Zerfall des Sozialvertrags, insbesondere hier in Amerika. Dinge, die vor 20 Jahren noch für Entsetzen gesorgt hätten, sind heute akzeptabel.“ Blythe durchleuchtet zudem die persönliche Verantwortung des Einzelnen. „Die zunehmende Unfähigkeit der Menschen, Unsicherheiten zu akzeptieren, hat dazu geführt, dass sie nach jemandem suchen, der ihnen sagt: ‘Alles wird gut, solange ihr an mich glaubt. Ich habe alle Antworten. Ich allein kann das Problem lösen‘“, sagt Blythe. „Es gibt diese bereitwillige Aufgabe von Handlungsfähigkeit und Verantwortung.“
Produziert wurde „Into Oblivion“ von ihrem langjährigen Partner Josh Wilbur. Aufgenommen wurde esin drei verschiedenen Studios: Das Schlagzeugt wurde im The Bakery in Richmond produziert und die Gitarren- und Bassspuren in Mark Mortons (Gitarre) Heimstudio in Virginia. Die Gesangsaufnahmen fanden im Total Access statt, dem legendären Studio in Redondo Beach, Kalifornien, in dem Black Flags „My War“ und wegweisende Alben von Hüsker Dü, Descendants und Saint Vitus entstanden sind. „Als ich dort hereinkam, fühlte ich mich sofort wie zu Hause. Ich konnte diese Punkrock-Geschichte spüren, die ganz meine Welt ist“, schwärmt Blythe.Letztendlich verschmolzen all diese Faktoren – die Musik, die Aufnahmen, die Themen der Texte und die kreativen Ziele der Band – zu „Into Oblivion“.
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